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・ The Social Significance of the Modern Drama
・ The Social Transformation of American Medicine
・ The Snake and the Crab
・ The Snake and the Farmer
・ The Snake and the Stallion
・ The Snake Brothers
・ The Snake Charmer
・ The Snake Corps
・ The Snake Decides
・ The Snake in the Thorn Bush
・ The Snake King
・ The Snake King's Child
・ The Snake King's Grandchild
・ The Snake King's Wife
・ The Snake King's Wife Part 2
The Snake Pit
・ The Snake Prince
・ The Snake Stone
・ The Snake the Cross the Crown
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・ The Snake, the Crocodile, and the Dog
・ The Snakes (band)
・ The Snakes of Europe
・ The Snakestretchers
・ The Snap Magazine
・ The Snapdragons
・ The Snapper (film)
・ The Snapper (novel)


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The Snake Pit : ウィキペディア英語版
The Snake Pit

''The Snake Pit'' is a 1948 American drama film directed by Anatole Litvak and stars Olivia de Havilland, Mark Stevens, Leo Genn, Celeste Holm, Beulah Bondi, and Lee Patrick.〔''Variety'' film review; November 3, 1948, page 11.〕〔''Harrison's Reports'' film review; November 6, 1948, page 179.〕 Based on Mary Jane Ward's 1946 semi-autobiographical novel of the same name, the film tells the story of a woman who finds herself in an insane asylum and cannot remember how she got there.
The novel was adapted for the screen by Millen Brand, Arthur Laurents (uncredited) and Frank Partos.
==Plot==
Virginia Cunningham (Olivia de Havilland) is an apparently schizophrenic inmate at a mental institution called the Juniper Hill State Hospital. She hears voices and seems so out of touch with reality that she doesn’t recognize her husband Robert (Mark Stevens).
Dr. “Kik” (Leo Genn) works with her, and flashbacks show how Virginia and Robert met a few years earlier in Chicago. He worked for a publisher who rejected her writing, and they bumped into each other again in the cafeteria. Occasionally she continued to drop by the cafeteria so they get to know each other.
Despite their blossoming romance, Virginia eventually abruptly leaves town without explanation. Robert moves to New York and bumps into her again at the Philharmonic. After she provides a loose excuse for her absence and departure, they pick up where they left off, though she remains evasive and avoids his desire for marriage. Eventually, Virginia brings up the possibility of marriage. They marry on May 7, but Virginia acts erratically again. She can’t sleep and loses touch with reality, as she feels it is November and snaps when Robert corrects her. The rest of the film follows her therapy. Dr. Kik puts her through shock treatment and other forms of treatment including hypnotherapy. Dr. Kik wants to get to the “causes of her unconscious rejection.” The film includes many flashbacks, including her earlier failed engagement to Gordon (Leif Erickson) as well as childhood concerns. The film shows her progress and what happens to her along the way.
The mental hospital is organized on a spectrum of "levels." The better a patient gets, the lower level she is able to achieve. Virginia moves to the lowest level (One), but there she encounters Nurse Davis (Helen Craig) who is the only cruel nurse in the hospital. Jealous of Dr. Kik's professional interest in Virginia, and in her eyes excessive concern, Nurse Davis is so severe with Virginia that she goads her into an outburst which results in her being expelled from first level in a straight jacket.
Despite this setback, Dr Kik's care continues to improve Virginia's mental state. Over time, Virginia gains insight and self-understanding, and is able to leave the hospital. The film also depicts the bureaucratic regimentation of the institution, the staff — some brutal and ignorant, some kindhearted — and relationships between patients, from which Virginia learns as much as she does in therapy.

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